Site last updated on 05/14/12
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Denatured
Gershwin Hotel
7 East 27 Street
New York, NY 10016-8700
(212) 545-8000
www.gershwinhotel.com
Opening Reception: Friday, January 15, 7 pm onwards
The opening was great; lots of folks and tunes. The curator Emet did a wonderful job organizing this exhibition.
New Prints 2010/Winter
International Print Center New York (IPCNY)
526 West 26th Street, Room 824
New York, NY 10001
(212) 989-5090
contact@ipcny.org
www.ipcny.org
On View: January 12 – February 20, 2010
Opening Reception: Thursday, January 14, 6-8 pm
"The Selections Committee for New Prints 2010/Winter included Alexander Campos, Executive Director, The Center for Book Arts; Michele Oka Doner, Artist; Kathleen Flynn, Executive Director, Dieu Donné; Shelley Langdale, Associate Curator of Prints and Drawings, Philadelphia Museum of Art, and Curatorial Team, Philagrafika 2010; Dwight E. Lee, Collector; and Leslie Miller, Founder, The Grenfell Press.
New Prints 2010/Winter is the thirty-third presentation of IPCNY’s New Prints Program, a series of juried exhibitions organized by IPCNY four times each year, featuring prints made within the past twelve months by artists at all stages of their careers. The exhibition represents a cross-section of some of the most exceptional printmaking today while continuing IPCNY’s commitment to provide an ongoing exhibition venue for contemporary prints and a major source of information about artists working in the medium.
New Prints 2010/Winter is the fiftieth exhibition presented by IPCNY in its Chelsea space since the opening of the gallery in September, 2000.
The complete artists’ list for New Prints 2010/Winter is as follows: Erika Adams, Roberta Allen, Felipe De Jesus Baeza, Karin Bos, Marisa Boullosa, Victoria Burge, Sophie Calle, Jonas Criscoe (in collaboration with writer Patrick Whitfill), Sage Dawson, E.V. Day, Hope Dector, Lesley Dill, Barbara Duval, Brad Ewing, Alejandro Garcia Restrepo, Klara Glosova, Tai Hwa Goh, William Howard, Richard Hricko, Anita S. Hunt, Nils Karsten, William Kentridge, Andrew Kozlowski, Yunmee Kyong, Karen Lederer, Whitfield Lovell, Franco Marinai, Michael Neff, Mark Parsons, Alyssa Pheobus, Ross Racine, Jenny Robinson, Zoë Sheehan Saldaña, David Sandlin, Ana Vivoda, April Vollmer, Tammy Wofsey, and Erin Woodbrey. Artists participating in the S.P. Weather Station collective are: Leah Beeferman, Natalie Campbell, Carrie Dashow, Neil Freeman, Richard Garrison, Michael Geminder, Katarina Jerinic, Daniel Larson, Bridget Lewis, Lize Mogel, Heidi Neilson, Chris Petrone, Sarah Nicole Phillips, Jing Yu, and Liz Zanis
A curatorial essay by Michele Oka Doner will accompany the exhibition.
Highlights from New Prints 2010/Winter include: Brad Ewing’s Trillion with a T, a three-dimensional stack of blindstamped gold bars; Alejandro Garcia Restrepo’s Estudios para una anatomía imaginaria, a lyrical etching of a butterfly hovering above broken bird wings; Sage Dawson’s Hair Maps, Studies of Albuquerque and Israel, a postcard-sized image that maps out each respective city with hair and gold leaf on collograph relief prints; Nils Karsten’s large-scale woodcuts of album cover art and rock lyrics, William Kentridge’s artist book of eighteen watermark drawings, Sheets of Evidence; Sophie Calle’s Address Book and accompanying text-based screenprints, and S.P. Weather Station, a twelve-month study of weather patterns as observed and documented from a homemade station situated on a rooftop in Queens.
Twenty-six of the artists produced their work independently. Presses and printshops represented include: Dieu Donné, Gemini G.E.L. at Joni Moisant Weyl, Marginal Editions, Plotzing Press, SOLO Impression, and S.P. Weather Station."
Trees I have Known
curated by John Reeves
Lawrence Percolator
March 14 – May 3, 2009
Lawrence, Kansas
http://lawrence-percolator.blogspot.com/
"Trees I Have Known is a juried exhibition featuring artwork and ephemera made by and collected by a diverse group of over thirty artists, thinkers, and neighbors who have created work that reflects upon the tree as subject, metaphor, and inspiration in many media." I showed a 5-image suite of photographs documenting an installation called Human Hugger. I couldn't make it to Kansas to see the show but it looked great from the images I saw online.
Running on Empty: the fossil fuel addiction
curated by Bart King
opening reception: Saturday January 31, 7-9 pm.
January 31 – March 22 2009
Athens Institute for Contemporary Art (ATHICA)
160 Tracy Street, Unit 4
Athens, GA 30601
http://www.athica.org/
"The United Nation’s Intergovernmental Panel on Climate Change has said emissions of greenhouse gases–released when fossil fuels are burned–must peak and begin to decline within ten years if the planet is to avoid the worst effects of global climate change. The American public finally seems to be waking up to this global threat, as evidenced by the popularity of recent films such as An Inconvenient Truth and Wall-E.
This exhibit–our 30th–is designed to to raise awareness of this critical issue. From apocalyptic images of a drowned planet to the promise of future energy sources, these 17 artists address this pressing issue with passion, humor and urgency."
Media Coverage:
http://www.redandblack.com/2009/01/29/fossil-fuel-addiction-subject-of-new-exhibit/
http://flagpole.com/Weekly/Features/NotYourTypicalOilPaintings.3Mar09
Queens International 4 (QI4) (as a participating artist with the SP Weather Station)
opening reception: Saturday, January 24th, 6 pm – midnight
exhibition run: Jan 24 – April 26th, 2009
Queens Museum of Art
New York City Building
Flushing Meadows Corona Park
Queens, NY 11368
http://www.queensmuseum.org/qmail/2009_01/#ex1
http://spweatherstation.net/
"Queens International 4 (QI4), the fourth installment of this biennial, is a survey of new and on-going projects by 42 emerging and established artists, artist collaborations and artist collectives from 18 countries that now live and/or work within Queens. QI4 reflects the multiple influences, thematic breadth and broad range of traditional and experimental approaches employed by the vibrant and growing artist communities in Queens. By developing their own artistic perspective from a position on the art world periphery rather than at its center of influence, the QI4 artists explore the contradictions of the mainstream art world and the real world."
The postcard for the show.
Ephemerality
opening reception: Saturday, January 17 2009, 4-7 pm.
exhibition run: January 12 – April 12, 2009
The Schuylkill Center for Environmental Education
8480 Hagy's Mill Rd
Philadelphia, PA 19128
215-482-7300
www.schuylkillcenter.org
"Ephemerality is an experimental gallery exhibition that explores ways in which art, communication, and technology can be used to create a greater sense of connection and meaning within reclaimed wild spaces, natural time, weather, and seasons. In this exhibition, artists will present works that directly reflect the impact that 24 hours on the land of the Schuylkill Center can have on their own awareness, creative process, and use of visual material.
Six artists and one artist team were selected to create temporary artworks with natural materials on the grounds of the Schuylkill Center, with the guidelines that the artworks created must last no more than 24 hours. The installations, sculptures, interventions, or events created were documented by the artists using photography, video, sound, and text. These documentations of the outdoor ephemeral artwork will comprise the gallery exhibition."
New Prints Autumn 2008
International Print Center New York (IPCNY)
opening reception: Thursday October 23rd, 2008 6-8
October 23th – November 22nd, 2008
526 West 26th Street, room 824
New York, NY 10001
http://ipcny.org
"The Selections Committee for New Prints 2008/Autumn included Matthew Day Jackson, Artist; Jacob Lewis, Director, Pace Prints Chelsea; Barbara Sahlman, Collector and Artist; Julie Saul, Director, Julie Saul Gallery; James Stroud, Master Printer and Director, Center Street Studio; and Roberta Waddell, former Curator of Prints (1985-2008), New York Public Library.
New Prints 2008/Autumn is the twenty-ninth presentation of IPCNY’s New Prints Program, a series of juried exhibitions organized by IPCNY four times each year, featuring prints made within the past twelve months by artists at all stages of their careers. The exhibition represents a cross-section of some of the most exceptional printmaking today while continuing IPCNY’s commitment to provide an ongoing exhibition venue for contemporary prints and a major source of information about artists working in the medium.
The complete artists’ list for New Prints 2008/Autumn is as follows: Lauren Abshire, Glen Baldridge, J. Catherine Bebout, Marieke Bolhuis, Matthew Brannon, Nicholas Brown, Ryan Burkhart, Susan Goethel Campbell, Stacey Cann, Kerstin Cedell, Phillip Chen, Briar Craig, Luke Dorman, Rick Finn, Quintin Gonzalez, Valerie Hammond, Adriane Herman, Tatana Kellner, Damon Kowarsky, Janet Marcavage, Teresa Gomez Martorell, Jiha Moon, Yoko Motomiya, Ethan Murrow, Heidi Neilson, Tom Orr, Krista Peters, Raymond Pettibon, Sarah Nicole Phillips, Ron Rocco, Nick Satinover, Joyce J. Scott, Scott Stephens, Sarah Sze, Ivanco Talevski, Richard Tuttle and John Yau, Joe Waks, Allan Wexler, Wang Yuhui.
A curatorial essay by Matthew Day Jackson will accompany the exhibition.
New Prints 2008/Autumn includes three artists books and five three-dimensional objects. Highlights of the exhibition include: Lauren Abshire’s Spyglass, a telescope through which a digital print on transparency can be viewed; Glen Baldridge’s Here Come the Miracles, a sixty-four-block, seven-color intaglio wiped relief printed woodcut with two panels upon which “okay” and “fine” are written in a flourished, German-Gothic font; Phillip Chen’s Powhatan, a three panel, six-foot relief etching depicting an unlikely assembly of objects ranging from feathers to flying machines; Susan Goethel Campbell and Stacy Cann ‘s Natural Wonder: Old Faithful and Crowd, are grids exploring the serial nature of printmaking; Krista Peter’s Collapsible Home, a three-dimensional etching with hand coloring that actually lights its windows from within; Sarah Sze’s Notepad, a deconstructed notebook exploding into balconies, stairs, and ladders; and The Missing Portrait, a book designed by Richard Tuttle with text by poet John Yau.
Twenty of the forty-three works are by independent artists. Presses and printshops represented include: BBK Druckwekstatt (Germany), the Brodsky Center, Brooke Alexander Editions, Cirrus Editions, Ltd., Firsthand Editions, Flatbed Press, Flying Horse Editions, Forth Estate, Fresh Hot Press, Manneken Press, Robert Blackburn Printmaking Workshop, Serie Project, Inc., Solo Impression, Tamarind Institute, University of Tampa Press, Wildwood Press and Women’s Studio Workshop. New Prints 2008/Autumn includes prints from coast to coast and abroad, including Australia, Canada, China, Germany and Sweden"
Green
opening reception: Friday October 17th, 5-9
exhibition run: October 17- October 25, 2008
Haven Arts Gallery
50 Bruckner Blvd
Building A
Bronx, NY, 10454
The postcard for the exhibition.
Sustainable Source
curated by Carol Pulin
opening reception: September 29th, 2008
September 29th – October 24th, 2008
Art Gallery at Longwood University
Longwood University
Bedford Building
201 High Street
Farmville, VA 23909
http://longwood.edu/art/
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