Hearth 2011 15"x11" 3-color screen print edition: 26

ATM / Outhouse (I'm still thinking of a good title for this image) 2011 22" x 15" 4-color separation screen print edition: TBD

Catalog Lens #1; Red [...]]]> I've been busy during my one-month residency at The Wassaic Project in Wassaic, New York.

Hearth
2011
15"x11"
3-color screen print
edition: 26

ATM / Outhouse (I'm still thinking of a good title for this image)
2011
22" x 15"
4-color separation screen print
edition: TBD

Catalog Lens #1; Red Eye
2011
7.5" x 10"
4-color separation screen print
edition: 25

Tazeene is creating a suite of prints using two stencils of the Manhattan grid.

She's created many effects by [...]]]>

I'm currently teaching a Monotype class at the Lower East Side Printshop (in Midtown). Once again a wonderful group of enthusiastic artists is taking the course. Below are images from last week's class.

Tazeene is creating a suite of prints using two stencils of the Manhattan grid.

She's created many effects by printing the same shapes in different ways.

Bindu cutting out shapes that have been treated with dry-mount adhesive.

She found all kinds of paper ephemera at a flea market.

Heidi contemplates a print she just pulled. The print is on the right, the plate with leftover ink on the left.

Gold leaf stuck to the plate and did not adhere to the paper as planned.
Fear not! Heidi will figure out a way to make this work.

Heidi figuring out which collage elements to integrate into her prints.

Heidi's big pile-o-prints.

A hotel guest (Gillian) checking out the work.

She's using the smart phone bar code to learn more. This is what she sees.

Three etchings from the Brooklyn College days.

All [...]]]>

In 2010 The James Hotel New York bought ten pieces plus commissioned a 4'x4' security envelope collage.

A hotel guest (Gillian) checking out the work.

She's using the smart phone bar code to learn more. This is what she sees.

Three etchings from the Brooklyn College days.

All the Benefits, All the Rewards
2010
4' x 4'
collage made with discarded security envelopes

This commission is the first thing you see as you walk out of the elevator.

Here’s part of the press release for the show:

“In response to an invitation to [...]]]>

The opening for Amze Emmon’s Refugee Reading Room at Space 1026 in Philadelphia was big fun. Lots of folks showed up and ravaged the installation like a swarm of locusts. I picked up a few goodies myself.

Here’s part of the press release for the show:

“In response to an invitation to exhibit at Space 1026, I (Amze Emmons) proposed an exhibition in which a post utopian installation would serve as a distribution point for free publications by a host of other artists, designers, cartoonists and illustrators. After months of planning that project is about to become real….

…This exhibition will transform the gallery space, sparking new relationships between creators and audience, and that this will lead to a range of interesting interdisciplinary connections within an experimental gift economy. This arrangement is obviously informed by my own aesthetic, but I think the conceptual connections between print, community, and utopian experiments are made stronger when put in conversation with architectural phenomena and notions of displacement.”

Phases of a Peanut Butter Cup Wrapper 2010 relief prints of peanut butter cup wrappers edition size: 2 4.5″ x 19″ $390 framed

People who are considering picking up an object off [...]]]>

The Curbside Object Status Tag facilitates the smooth operation of the informal sidewalk gift economy. Those who place objects on the curb for people to pick up, may now indicate the condition of the object to folks by ticking the appropriate box on the tag.

People who are considering picking up an object off the street no longer have to wonder about the condition of said object.

Gone are the days of lugging a television home off the street only to discover it does not work!

The Curbside Object Status Tag was created for The Work Office (TWO); a multidisciplinary art project disguised as an employment agency. Images of the tag in use will be displayed during the Dumbo Arts Festival in Brooklyn, September 24 – 26.

I need to distribute these tags and get images of them in use for the upcoming show.
To request some tags or submit images of the tags in use, please email me (Sarah) at snphillips@gmail.com

The James, a sleekly designed hotel rising over Grand Street in SoHo, will open for business on Wednesday with all the support staff a guest could expect: a concierge, receptionists, bellhops, chambermaids, parking valets.

Fred R. Conrad/The [...]]]> The Hotel as Art Gallery

The New York Times
By DIANE CARDWELL
Published: August 29, 2010

The James, a sleekly designed hotel rising over Grand Street in SoHo, will open for business on Wednesday with all the support staff a guest could expect: a concierge, receptionists, bellhops, chambermaids, parking valets.

Fred R. Conrad/The New York Times - Matthew Jensen, the art curator of the James Hotel in SoHo, chose works from emerging artists for the hotel’s 14 floors of guest rooms.

“It was pretty exciting to me to see how many artists are working, just like I do, like obsessively hard, in their own studio tucked away, but nobody’s really paying attention to them yet,” he said. “There’s a lot more emerging than established in New York — once they’re established, then they all move upstate. So everyone who wants to do it is doing it here.”

Hotels have been hanging fine art on their walls for decades now. Ian Schrager commissioned a series of Robert Mapplethorpe prints for what is considered the original boutique hotel, the Morgans, in 1984; the Roger Smith, a small property in Midtown Manhattan, transformed its lobby into an art gallery and performance space as part of a 1991 renovation.

But few have gone so far as the James, which hired a young artist, Matthew Jensen, to select original artworks to adorn each of its 14 floors of guest rooms.

Mr. Jensen, 29, a photographer whose work was acquired this year by the Metropolitan Museum of Art, may have an unusual job description, but he is also part of a growing breed. As business and building owners look to inject their properties with a little artistic personality, a new class of curators — some of them contractors like Mr. Jensen and some of them staff members — has arisen to help.

“There’s all these empty walls and there are thousands of artists out there who are living in the city and have never had their art seen by anyone,” said Leah McCloskey, who places works by students at the Art Students League in restaurants and apartment and office buildings. “It’s about connecting to that generation of artists and to what’s going on out there.”

Employees installing art in the hallways of the James.

All that, and one helping hand a guest might not expect: a hotel art curator.

That connection has been particularly important in the past few years for hotels, which are increasingly seeking novel ways to distinguish themselves from a flood of competition. Responding to guests’ desire to have their lodgings project an image of who they are or aspire to be, hotels are taking their artistic endeavors more seriously, industry analysts say, using art to build an identity rather than just to make it look good.

“Hoteliers are not only trying to come up with a theme or a style that attracts customers, but they are approaching it in a much more professional and involved way,” said Sean Hennessey, chief executive of Lodging Investment Advisors, a consulting firm in Valhalla, N.Y.

“It used to be that you could get away with just slapping something up in the lobby,” he added, “but more and more customers are looking and evaluating it much more closely.”

For the James, meeting that demand has meant trying to reflect the artistic microclimate of SoHo. Though many of the artists who once made the area a creative mecca have fled, an emerging art scene is still represented through nonprofit institutions there that support artists and show their work.

Denihan Hospitality Group, which is developing the hotel, operates another James Hotel in Chicago that is also dedicated to emerging art. At the Surrey, one of its New York hotels, work by established names like Jenny Holzer, Claes Oldenburg and William Kentridge nods to its location on East 76th Street, near major art showcases like the Whitney Museum of American Art.

An installation by Sarah Frost of typewriter keys glued to a wall in the lobby of the James.

Mr. Jensen’s relationship with the hotel grew from a chance meeting last year with Brad Wilson, the chief operating officer at Denihan, at an exhibition for Mr. Jensen’s project “Nowhere in Manhattan,” featuring billboard-size photos of the borough’s remaining wildernesses that are meant to spur people to visit those places.

“It’s a way to remind people in a subtle way, if they complain, ‘Oh, I never get out into the woods,’ well, you can just get on the A train to Inwood, or you can go in the other direction to the Rockaways,” Mr. Jensen said.

The pictures appealed to Mr. Wilson — who hung three of them on the building facade when it was under construction — and Mr. Jensen’s job evolved from there. Once hired, he settled on the idea of using New York-based landscape artists working in different media, one per floor.

Using an online database, he amassed a list of about 1,000 artists, which he whittled to the final 14 in three months, creating something that “kind of feels like 14 solo shows stacked on top of each other.”

Taken as a whole, the installation, called “Stand Here and Listen,” is meant to play off the idea of travel, inspired by signs at revered destinations like the Grand Canyon that urge visitors to look out from a particular spot, Mr. Jensen said.

The owners of the James, which is scheduled to open on Wednesday, tried to reflect the artistic microclimate of SoHo.

One of the artists, Jessica Cannon, said the installation offered guests — perhaps more open to seeing things differently because they are removed from their everyday routines — the chance to experience art in a new way.

“You can have this encounter with work that’s very intimate, almost like it’s in a home or an empty gallery, but you can have it on your own time,” said Ms. Cannon, a painter whose work imbues landscapes with a sense of an impending event. “If someone’s got insomnia at 3 in the morning, they can pace the halls and have a really intimate and personal encounter.”

In addition to curating the hotel art, Mr. Jensen manages the studio of John-Paul Philippe, a painter and designer who created several decorative elements for the hotel, including the room numbers. Mr. Jensen has also been overseeing the installation of the collection — the hotel bought the works — and the text that goes with it, along with a potential catalog.

Mr. Jensen said the curatorial foray, his first, took him to studios all over the city, exposing him to a whole community of artists.

A version of this article appeared in print on August 30, 2010, on page A13 of the New York edition.

http://www.nytimes.com/2010/08/30/nyregion/30hotelart.html?_r=1&ref=nyregion

Video: Swapping ads for art

Is it vandalism? Vigilantism? Watch, as activists take down ads and replace them with art. (Aug. 22, 2010)

A lanky, 6-foot-tall New Yorker [...]]]> Guerilla action aims to turn advertising space into public space