Site last updated on 01/29/12
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The opening for Amze Emmon’s Refugee Reading Room at Space 1026 in Philadelphia was big fun. Lots of folks showed up and ravaged the installation like a swarm of locusts. I picked up a few goodies myself.
Here’s part of the press release for the show:
“In response to an invitation to exhibit at Space 1026, I (Amze Emmons) proposed an exhibition in which a post utopian installation would serve as a distribution point for free publications by a host of other artists, designers, cartoonists and illustrators. After months of planning that project is about to become real….
…This exhibition will transform the gallery space, sparking new relationships between creators and audience, and that this will lead to a range of interesting interdisciplinary connections within an experimental gift economy. This arrangement is obviously informed by my own aesthetic, but I think the conceptual connections between print, community, and utopian experiments are made stronger when put in conversation with architectural phenomena and notions of displacement.”
 
Refugee Reading Room
Amze Emmons
February 4th – 25th, 2011
Opening Reception: Friday, February 4th, 7-11
With Special Guests:
Kjellgren Alkire, Art Codex, Pat Aulisio, Mike Bauer, Diana Behl, Book Bombs, Ellie Brown, Tova Carlin, Chain Magazine, Cece Cole, CA Conrad, Ryan Dodgson, Angela Early, Jedd Flanscha, Gold Mine Anthology, Casey Grabowski, Geoff Hargadon, Lauren Haldeman, John Hitchcock, Matt Hopson-Walker, Dustin Hostetler, Chad Kouri, Delia Kovac, Michelle Levy, Max Liboiron, The Machete Group, Andrew Moeller, Kembrew McLeod, Megawords Magazine, The Moving Crew, N55, Matt Neff, Never Nothing, Scott Nobles, NomNow, Michael Perrone, Sarah Nichole Phillips, Poetry Magazine, Ian Sampson, Carrie Scanga, David Tallitch, Temporary Services, Breanne Trammell, Tricia Treacy, Frank Sherlock, Eli VandenBerg, Brian Wiggins and many more.
The exhibition will be a post utopian installation which will serve as a distribution point for free publications by a host of other artists, designers, cartoonists and illustrators.
This exhibition will transform the gallery space, sparking new relationships between creators and audience, and will lead to a range of interesting interdisciplinary connections within an experimental gift economy. This arrangement is informed by Emmons’ own aesthetic, but the conceptual connections between print, community, and utopian experiments are made stronger when put in conversation with architectural phenomena and notions of displacement.
Amze Emmons is a artist, illustrator, curator, living and working in Philadelphia, PA. Born in rural upstate New York. He received a BFA Ohio Wesleyan University. He went on to receive his MA and MFA from the University of Iowa. His work is exhibited both nationally and internationally.
SPACE 1026
1026 Arch St. 2nd Floor
Philadelphia, PA 19107
Opening Reception: January 12, 6-8pmOn View: January 13 – March 5, 2011
International Print Center New York presents New Prints 2011/Winter, on view January 13 -March 5, 2011 in its gallery at 508 West 26th Street, Room 5A. The show consists of fifty pieces by forty-eight emerging to established artists, selected from a pool of over 1,500 submissions. A reception with the artists will be held at IPCNY on Wednesday, January 12, from 6-8 pm.
The Selections Committee for New Prints 2011/Winter includes: Brad Ewing, Master Printer, Marginal Editions; Richard Gerrig, Collector, Professor, Stony Brook University; Diana Goldin, Collector; Lisa Hodermarsky, Associate Curator of Prints, Drawings, and Photographs, Yale University Art Gallery; Michelle Levy, Director, EFA Project Space; and Nicola Lopez, Artist.
New Prints 2011/Winter is the thirty-eighth presentation of IPCNY’s New Prints Program, a series of juried exhibitions organized quarterly by IPCNY, featuring prints made within the past twelve months by artists at all stages of their careers. The Exhibition represents a cross-section of some of the most exceptional printmaking today while continuing IPCNY’s commitment to provide an ongoing exhibition venue for contemporary prints and a major source of information about artists working in the medium.
The complete Artists’ List is as follows: Golnar Adili, Daniel Allegrucci, Rosaire Appel, Carla Aspenberg, Maya Malachowski Bajak, Glen Baldridge, Anders Bergstrom, Michael Bisbee, Kit Boyce, NoahBreuer, Nicholas Brown, Els Ceulemans, Deborah Chaney, Kyle Coniglio, Greg Daiker, Grainne Dowling, Stefanie Dykes, Yuko Fukuzumi, Stephen Funk, Laurent Gagnon, Tai Hwa Goh, Leslie A. Grossman, Erik Hougen, William R. Howard, Alysia Kaplan, Peter Kingstone and Daryl Vocat, Yunmee Kyong, Margaret Lanzetta, Vera Lutter, Edward Monovich, Shaun O’Dell, Dennis Olsen, Goedele Peeters, Sarah Nicole Phillips, Eleanore Rembaum, Ian Ruffino, Julia Samuels, Blake Sanders, Larry Schulte, Hilda Shen, Elisabeth Sommerville, Ella Weber, Jenny Wiener, John Willis, Steve Wiseman, Jing Yu, and Barbara Zucker.
In addition to the many independent artists included in this show, the presses, publishers and printshopsrepresented are: Dieu Donné, Dead End Press, Marginal Editions, Ningyo Editions, Carolina Nitsch, Paulson Bott Press, and SOLO Impression.
An illustrated brochure with a curatorial essay by Michelle Levy will accompany the Exhibition.
New Prints 2011/Winter includes several three-dimensional printed pieces, such as Tai Hwa Goh’s ethereal installation, LULL-4, made with intaglio on hand-waxed paper, collage and wood board; Steve Wiseman’s lithograph paper sculpture, Disguise Yourself; and Stephen Funk’s When We All Ride Together, a diorama withlinoleum cut and etching on craft foam, felt, and faux fur. A wide range of printmaking techniques are visible throughout this show, from Carla Aspenberg’s Untitled, a print of a shattered glass plate, to Maya Bajak’s Bridge, an ominous, floating landscape made with etching and aquatint, to Goedele Peeters’ masterful reduction linocut still life, Hold Me, to Barbara Zucker’s Animal Sightings, an inkjet-printed artist’s book.
With rare exceptions, prints included in IPCNY’s New Prints shows are for sale. IPCNY refers potential purchasers directly to the artist, publisher, or gallery supplying the print. IPCNY requires no commission on sales. New Prints 2011/Winter will be posted on www.ipcny.org, together with all prior exhibitions presented by IPCNY. For images or additional information about this show and IPCNY’s Exhibitions Touring Program, email Julia@ipcny.org.
Steve Wiseman, Disguise Yourself, 2010
International Print Center New York is a non-profit institution founded to promote the greater appreciation and understanding of the fine art print worldwide. Through innovative programming, it fosters a climate for the enjoyment, examination and serious study of artists’ prints – from the old master to the contemporary. IPCNY offers its members a program of workshop and gallery visits, and has established an informational website and Information Desk available to the public at the gallery. IPCNY depends upon public and private donations to support its programs.
The New Prints Program is funded in part with public funds from the National Endowment for the Arts, the New York State Council on the Arts—a state agency, and the New York City Department of Cultural Affairs.
Sponsors of IPCNY’s 10th Anniversary Season are The Edward John Noble Foundation, Lily Auchincloss Foundation, Deborah Loeb Brice Foundation, The Felicia Fund, The Horace W. Goldsmith Foundation, Hess Foundation, Charles S. Mott Foundation, Reed Foundation, Arthur Ross Foundation, Phillips de Pury and numerous individual donors.
December 03
Artist’s Reception for Benevolent New World
You are invited to join us for A.T. Kearney New York’s inaugural art exhibition and reception, Benevolent New World, on Friday, December 3rd. The exhibit, which will run through January 7th, explores contemporary notions of sustainability and issues related to our relationship with nature — a theme that complements A.T. Kearney’s commitment to protect the environment.
Sustainability and community service are core A.T. Kearney values. In 2010, we became the first traditional high-value added consulting firm to become carbon neutral worldwide. Reaching this goal is part of a broader initiative to deliver sustainable, environmentally-sound results to a global client base and to spearhead local initiatives and drive cultural change.
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Location: A.T. Kearney, 7 Times Square, 36th Floor
Date: Friday, 3 December 2010
Time: 4:30 – 7:30 p.m.
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The artists being featured in this exhibition represent the global presence that enriches New York. All live in the five boroughs of New York, yet their region of origin ranges from New Zealand to Wisconsin to Mexico and Canada. The mediums they use include recycled envelopes from bills and solicitations letters, eco-friendly paints, recycled materials, and even Google Earth scans.
The seven artists are: Diego Anaya, Jude Broughan, Jessica Cannon, Karen Fitzgerald, Matt Jensen, Graham MacBeth and Sarah Nicole Phillips. Heide Lee is the curator of this special exhibit. (www.HeidiLeeArtAdvisory.com).
To further extend AT Kearney’s commitment to sustainability and community service, extra food from this event will be donated to Common Ground, a pioneer in the development of supportive housing and other research-based practices that help fight homelessness. Common Ground has received The Rudy Bruner Award for Urban Excellence, the Peter Drucker Award for Non-Profit Innovation, and the World Habitat Award through the United Nations and Building and Social Housing Foundation.
Please RSVP by Tuesday, November 30 to info@HeidiLeeArtAdvisory.com
New Prints 2009/10
A Benefit Exhibition and Silent Auction
A Tenth Anniversary Season Event!
On View: December 2-18, 2010
Opening Reception: Thursday, December 2nd, 6-8 pm
Members’ Preview & Early Bidding: 5-6 pm
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International Print Center New York announces the presentation of New Prints 2009/10: A Benefit Exhibition and Silent Auction opening in our Chelsea gallery on December 2nd and running through December 18th, 2010. Celebrating the past two years of IPCNY’s New Prints Program, and marking the tenth year of IPCNY’s presence in the arts community, the exhibition will consist of some 120 prints by artists whose work has been selected by IPCNY juries for New Prints shows in 2009 and 2010.
All prints included in New Prints 2009/10 have been generously donated to IPCNY by artists and publishers, and will be sold to benefit IPCNY’s exhibitions and programs. In addition to work by New Prints artists, the exhibition will include a number of prints donated specifically in celebration of IPCNY’s 10th Anniversary Season by Jasper Johns, Ellsworth Kelly, Ed Ruscha, June Wayne, and Terry Winters.
New Prints Selections Committees are composed of four to six curators, critics, artists, master printers, publishers, and collectors, and others prominent in the field, including, in 2009 and 2010, Polly Apfelbaum, Alexander Campos, Matthew Day Jackson, Kathleen Flynn, Michele Oka Doner, Leslie Miller, Philip Pearlstein, Gary Simmons, and Roberta Waddell (a complete list of past New Prints Selections Committees is available at www.ipcny.org).
IPCNY thanks the following publishers for donating to the auction: Brooke Alexander Editions, Anchor Graphics, Gemini G.E.L, Harlan & Weaver, Lower East Side Printshop, Carolina Nitsch, Paulson Bott Press, SOLO Impression, Stewart & Stewart, Tamarind Institute, Universal Limited Art Editions (ULAE), and VanDeb Editions.
New Prints 2009/10 will reflect the breadth of the New Prints Program, featuring original prints in various aesthetic styles and techniques, ranging from traditional to conceptual, by artists at all stages of their careers.
Participating artists include: Francine K. Affourtit, Romeo Alaeff, Daniel Allegrucci, Roberta Allen, Darren Almond, Desirée Alvarez, Rosaire Appel, Michael Barnes, Curtis Bartone, Jebah Baum, Joell Baxter, Jarrod Beck, Ray Beldner, Grace Bentley-Scheck, Joan Dix Blair, Bettina Blohm, Brent Bond, Karin Bos, Marisa Boullosa, Michael Bramwell, Noah Breuer, Ellie Brown, Nicholas Brown, Victoria Burge, Stephen Burt, Walter Buttrick, Nancy Campbell, Nathan Catlin, Jean Cencig, Liz Chalfin, Onyedika Chuke, Tamar Cohen, Ann Conner, Ann Conrad, Sylvie Covey, Michael Dal Cerro, Hope Dector, Donna Diamond, Lauren Drescher, Sally Duback, Joellyn Duesberry, Barbara Duval, Sara Eichner, Kota Ezawa, Sara Farrell Okamura, Eduardo Fausti, Orna Feinstein, Lisa Ficarelli-Halpern, Eileen M. Foti, Deborah Freedman, Juan R. Garcia, Bryan Nash Gill, Klara Glosova, Tai Hwa Goh, Jane E. Goldman, Gary Groves, Fred Hagstrom, Takuji Hamanaka, Sarah Hauser, John Himmelfarb, Yuji Hiratsuka, Anita S. Hunt, Chika Ito, Jasper Johns, Susan Kaprov, Nils Karsten, Ronald Katz, Ellsworth Kelly, Isaiah King, Maho Kino, Andrew Kozlowski, Yunmee Kyong, Nancy Lasar, Anthony Lazorko, Karen Lederer, Michael Loderstedt, Franco Marinai, Chris Martin, Nichole Maury, Betty Merken, Frederick Mershimer, Traci Molloy, Carol Montgomery, Sean P. Morrissey, Julia Nelson-Gal, Rhea Nowak, Alice O’Neill, Lothar Osterburg, Bruce Pearson, Mark Pease, Raymond Pettibon, Sarah Nicole Phillips, Adam Pitt, Sarah Plimpton, Liliana Porter, Endi Poskovic, Paula Praeger, Ellen J. Price, Ross Racine, Erika Radich, Jenny Robinson, Rosa Ruey, Ron Rumford, Ed Ruscha, Soledad Salamé, David Sandlin, John-Mark Schlink, Larry Schulte, Robin Sherin, Gary Simmons, William H. Skerritt, Laurie Sloan, Fred Stonehouse, Beth Sutherland, Julia Talcott, Fulvio Tomasi, April Vollmer, Maureen Warren, June Wayne, Carmi Weingrod, Allan Wexler, Mark Wilson, Terry Winters, Tammy Wofsey, Erin Woodbrey, and Judy Youngblood.
All prints on exhibit will be available for purchase. An ongoing silent auction with a “buy-now” option will begin on the evening of December 2nd and will continue through December 18th, ending at 6 pm. The Exhibition and Silent Auction will provide an opportunity to purchase superior artists’ prints at a range of affordable prices (minimum starting bids will begin at $75) and to support a growing non-profit arts organization in its landmark tenth year. Images and online bidding information will be available on www.ipcny.org. |
IPCNY’s New Prints Program is an ongoing series of juried exhibitions of brand new prints presented four times each season in our Chelsea gallery. The New Prints Program has significantly impacted the field of printmaking by bringing to the public a range of excellent new work from an astounding diversity of sources. With the opening of its space in September 2000, IPCNY created a permanent, non-commercial open venue for emerging and established artists to exhibit their most recent print projects. Over 1,500 exceptional contemporary prints have been presented in thirty-seven exhibitions, illustrating a wide variety of print techniques, from etchings and woodcuts on paper, to three-dimensional and site-specific work, to the most current digital processes. Now relocated to an expansive new gallery and in its tenth season, IPCNY continues to showcase emerging and established talent, and moves forward with its mission to enlarge audiences for the visual arts.
A New Prints Touring Program, launched in 2006, has taken selected New Prints shows around the country, to venues in Chicago, Philadelphia, South Carolina, Virginia, and more. This year, New Prints 2010/Autumn will travel to the new Visual Arts Center at The University of Texas/Austin. Several shows are available; please contact Julia@ipcny.org for more information about IPCNY’s Exhibitions Touring Program.
International Print Center New York is a non-profit institution founded to promote the greater appreciation and understanding of the fine art print worldwide. Through innovative programming, it fosters a climate for the enjoyment, examination and serious study of artists’ prints, from the old master to the contemporary. IPCNY offers its members a program of workshop and gallery visits, artists’ talks and other special events, and has established an informational website and Information Desk available to the public at the gallery. IPCNY depends upon public and private donations to support its programs.
Sponsors of IPCNY’s 10th Anniversary Season are The Edward John Noble Foundation, Lily Auchincloss Foundation, Deborah Loeb Brice Foundation, The Felicia Fund, The Horace W. Goldsmith Foundation, Hess Foundation, Charles S. Mott Foundation, Reed Foundation, Arthur Ross Foundation, Phillips de Pury and numerous individual donors.
IPCNY is located in Chelsea at 508 West 26th Street (between 10th and 11th Avenues), Room 5A, New York, NY, 10001. Hours are Tuesday – Saturday, 11 am – 6 pm. For more information, please call 212.989.5090 or visit us on the web at www.ipcny.org. New Prints 2009/10 will be posted and documented on the site together with prior exhibitions presented by IPCNY.
High resolution images and supplementary materials are available upon request. For more information, contact Julia Lillie at julia@ipcny.org.
ANNOUNCING
HOT HARVEST: The Gowanus Studio Space 2010 Printmaking Fellows and Friends
NOVEMBER 12TH – DECEMBER 12TH 2010
Opening Reception Friday, November 12th 7pm-11pm
The Gowanus Studio Space is pleased to announce a group exhibition curated by its three 2010 printmaking fellows: Johee Kim, Rachel Ostrow and Maggie Wright.
WITH PRINTS BY:
MARTIN BLAND, NOAH BREUER, CARDA BURKE, DEB CHANEY, BEN COHEN, ANGELA CONANT, EMILY ELSEN, BEKA GOEDDE, VALERIE HAMMOND, JOHEE KIM, ILIAS KOEN, MIRANDA LEIGHFIELD, GENEVIEVE LOWE, FRANK OLIVE, RACHEL OSTROW, KRISTA PETERS, SARAH NICOLE PHILLIPS, JULIA SAMUELS, FRANCESCO SIMETI, MICHAL SKIBA, KIKI SMITH, ERICA SVEC, MAGGIE TRAKAS, TOMAS VU, MAGGIE WRIGHT
Please join us at the reception on Friday, November 12th from 7pm-11pm.
DJ POLKADOT spins that old-time country vinyl. DJ CHEWROCKS later, when the night gets dancey.
E FOR EFFORT tees by Beka Goedde and Rachel Ostrow for sale!
FREE Kiss prints by Angela Conant
While the three residents have each had extensive professional printmaking experience in New York City printshops, their show focuses instead on the self-made print, culling from a wide variety of technique, including etching, lithography, woodcut and silkscreen. Traditional uses of the medium are abundant, but several prints blur the boundaries of the expected. Inked-up Reeses Peanut Butter cup wrappers, stamped balloons and faxed pages (edition numbered by their times through the machine) prove a dedication to the idea of printmaking without the use of a press or drawn matrix. Other prints are manipulated by additional media: pencil, collage, hand-coloring; media is also manipulated by printed matter. There are experimental uses of common printmaking effects – careful cut-outs of chine collé, collages of rainbow rolls – and plates which have been cut out, sandblasted, and etched with the impression of fresh pie.
A common thematic thread was not intentional at the outset, but as the curators selected work for the show certain themes became evident. The natural world provides a strong current, with nods to folk art and the mystical. Several animals and plants make appearances, as do depictions and abstractions of the natural and man-made landscape. In contrast, many works, often saturated with color, demonstrate a geometric precision in line and detail. Humor and wit is apparent and important – the exhibition does not intend to provide a serious analysis of recent DIY printmaking. Alternatively, it strives to offer an inclusive, light-hearted view of the variety of approaches and experimentation possible within the constructs of the medium. It is a harvest of many fruits united by the same tree.
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The Gowanus Studo Space is a non-profit organization and a sponsored project of New York Foundation for the Arts, providing equipment, exhibition opportunities, and space to work for the artists and designers of New York City. To learn more about our space and mission, please visit www.GowanusStudio.orgThe Gowanus Studio Space
166 7th Street, Ground Floor
Brooklyn, NY, 11215
Please join
The Work Office (TWO)
at the Dumbo Arts Festival, September 24th–26th
Selected from a pool of applicants in the New York City area, the artists were hired for one week, from September 13th–20th, to complete their response to a TWO assignment. The artist/employees’ assignments, such as documenting a need for repairs, making a regional travel guide for a block or neighborhood, reinterpreting a newspaper photograph, or giving a concert for a houseplant, will be on view at the TWO office during the Dumbo Arts Festival from September 24th–26th, and on the TWO website thereafter.
The Work Office (TWO) is a collaborative, multidisciplinary art project disguised as an employment agency. Informed by the WPA of the Great Depression in the 1930s, TWO is a gesture to “make work” for visual and performing artists, writers, and others by giving them simple, idea-based assignments that explore, document, and improve daily life in New York. From their temporary office at 45 Main Street in Brooklyn, >TWO’s administrators—Jerinic and Miller—manage all aspects of the project, including oversight of the office and website. As the project’s lead artists, they perform the dull bureaucratic work that ensures that their employees make artwork.
TWO is based on the idea of “making work” (WPA terminology) for artists to “make work” (artist terminology). The project was born of an appreciation for the WPA and recurring comparisons in the news media between that era and today. With the current economic recession in mind, TWO revisits the approach the 1930s federal government took to alleviate the effects of the Depression on daily life. Artists were employed to make art—alongside infrastructure and other projects to rebuild the country—and were seen as a valuable labor force. Despite recent wistful references to the WPA, it seems implausible in contemporary US culture that artists would be remunerated for their work in this way. TWO is a wry, contemporary realization of this model.
The TWO process requires artists to apply, interview, sign contracts, and work a full week to complete their assignment. Payday Parties are the culmination of the work week, where employees are paid for their labor and the public is invited to view the works and learn about the project. Payday Parties are inspired by the socializing that occurred between artists as they waited in line to collect their wages at their local WPA office. They also provide a forum for TWO artists and the general public to interact and exchange ideas. All completed assignments will be on view throughout the Dumbo Arts Festival and on the project’s website: www.theworkoffice.com.
Payday Party
Saturday, September 25, 2010 from 6–8 pm
Paychecks will be distributed to this week’s employees.
Exhibition/Office Hours:
Friday, September 24th from 6–9 pm
Saturday, September 25th from 12–6 pm
Sunday, September 26th from 12–6 pm
The Work Office (TWO) is located at 45 Main St, Suite 830, Brooklyn, NY.
Take the F to York Street or the A/C to High Street.
The Work Office (TWO) is sponsored, in part, by the Greater New York Arts Development Fund of the
New York City Department of Cultural Affairs, administered by the Brooklyn Arts Council, Inc. (BAC).
TWO is a participant in the Dumbo Arts Festival, and extends many thanks to both the Dumbo Arts
Festival and Two Trees Management. Payday Parties are supported by individual contributions
and donations from Chopin Vodka, Ardbeg Scotch Whisky, and Greenpoint Wines.
Katarina Jerinic and Naomi Miller
The Work Office (TWO)
917 289 0926
The Curbside Object Status Tag facilitates the smooth operation of the informal sidewalk gift economy. Those who place objects on the curb for people to pick up, may now indicate the condition of the object to folks by ticking the appropriate box on the tag.
People who are considering picking up an object off the street no longer have to wonder about the condition of said object.
Gone are the days of lugging a television home off the street only to discover it does not work!
The Curbside Object Status Tag was created for The Work Office (TWO); a multidisciplinary art project disguised as an employment agency. Images of the tag in use will be displayed during the Dumbo Arts Festival in Brooklyn, September 24 – 26.
I need to distribute these tags and get images of them in use for the upcoming show.
To request some tags or submit images of the tags in use, please email me (Sarah) at snphillips@gmail.com
I’m pleased to announce my participation in the upcoming group exhibition Non-Native New York, curated by Linn Edwards & Brian Bell. I will be showing four collages from the Security Landscape series.
Non-Native New York will open on August 5th – August 22nd, 2010 at the de Castellane Gallery, located at 525 Atlantic Ave. Brooklyn, NY.
Opening: Thursday, August 5, 6-9pm.
The selected artists for the 2010 exhibition are:
• Mahtab Aslani
• Jaclyn Conley
• Francisco Correa-Cordero
• Emile H Dubuisson
• Yuhi Hasegawa
• Hai-Hsin Huang
• Jee Hwang
• Gautam Kansara
• Maria Kondratiev
• Olek
• Lothar Osterburg
• Jung Eun Park
• Sarah Nicole Phillips
• Minori Sanchiz-Fung
• Taganyahu Swao
Non-Native New York is organized and curated by Linn Edwards and Brian Bell, artists who have collaborated on art projects for over five years and lived in Brooklyn for a decade. They have been inspired by the many cultures that are Brooklyn’s signature as a borough and by the many artists who have moved here from other lands.
Non-Native New York is made possible by a Brooklyn Arts Council
2010 NYSCA Regrant and de Castellane Gallery, and is fiscally sponsored by South Of the Navy Yard Artists, (SONYA) a 501(c)3 non-profit organization.
 This event is organized by the wicked-awesome art space Eyelevel-BQE and is being hosted by La Crêpe on Bleeker Street. There will be drinks and fun folks so stop by after work (or whatever you do) on Friday to say hello. Visit Eyelevel-BQE’s website to read bios of the participating artists.
* The auction will open with a reception on
Friday June 18th from 6 – 9.
** Bidding closes on Sunay June 20th at 2pm.
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